Love the polka dots.
The H line of 1954 with its exaggerated body contortions generated considerable negative publicity. The design shifted the bosom up and incorporated the hipline of the middy as the crossbar of H. Dior’s intention had been to create the illusion of a longer, leaner look. The controversy primarily centered on the treatment of the bust. The constricting bodices pushed up the breasts sometimes resembling the sixteenth-century Tudor style costumes of Anne Boleyn.
I love the the ruching low on the back of the skirt.
Click here to go to Rare Vintage where you can see the gown details.
*I have a collection of 1954 Vogues, I might look though them tonight and see if this dress was in any editorial shoots.
*I have a collection of 1954 Vogues, I might look though them tonight and see if this dress was in any editorial shoots.